Candy Fox all Canon equipment sale!
I am both - excited and sad to announce that I am moving to Olympus mirrorless system for it's convenience and AI technology. All my Canon equipment is for sale.
I also have two 600EXII-RT Speedlights - one is new and another is barely used. Also for sale will add them later.
The list of Canon equipment on sale:
Canon 24-70mm f/2.8L USM Macro $700 (new $1600)
CanonEF 100 mm f/2.8L Macro $385
Canon EF 85 mm f/1.2L II USM $1200 (new $2700)
Canon EF 8-15mm F/4L Fisheye USM lens $875 (new $1250)
Canon EF 50 mm f/1.2 USM $1075 (new $1270)
Canon EF 70-200mm f/2.8L IS II USM telephoto lens $1250 (new $1800)
Canon EOS 5D Mark VI, battery grip, tripod plate, two chargers and batteries $1899 (new body only $2600)
Manfrotto PIXI EVO Mini Tripod (Black) $15
Aukey Professional HD wide-angle lens for smartphones, new $18
0.45X Wide Angle Lens Macro, new $18
I also have two 600EXII-RT Speedlights - one is new and another is barely used. Also for sale will add them later.
The list of Canon equipment on sale:
Canon 24-70mm f/2.8L USM Macro $700 (new $1600)
CanonEF 100 mm f/2.8L Macro $385
Canon EF 85 mm f/1.2L II USM $1200 (new $2700)
Canon EF 8-15mm F/4L Fisheye USM lens $875 (new $1250)
Canon EF 50 mm f/1.2 USM $1075 (new $1270)
Canon EF 70-200mm f/2.8L IS II USM telephoto lens $1250 (new $1800)
Canon EOS 5D Mark VI, battery grip, tripod plate, two chargers and batteries $1899 (new body only $2600)
Manfrotto PIXI EVO Mini Tripod (Black) $15
Aukey Professional HD wide-angle lens for smartphones, new $18
0.45X Wide Angle Lens Macro, new $18
Canon 24-70mm f/2.8L USM Macro $700 (new $1600)
General lens, good for everything. I used it a lot for newborn photography.
Safe choice if you can afford just one professional lens. 
Most used focal length plus it's macro! Used in a good shape. The only lens I couldn't find a box for. As is
Spanning a popular and versatile range of focal lengths, the EF 24-70mm f/2.8L II USM is a Canon L-series zoom commonly thought of as the workhorse of lenses. Ranging from wide-angle to portrait length, this lens is also distinguished by its constant f/2.8 maximum aperture to benefit working in difficult lighting conditions and to afford greater control over depth of field. The lens is also characterized by its sophisticated optical design, which includes one Super UD element and two UD elements, which reduce color fringing and chromatic aberrations in order to realize a high degree of color accuracy and clarity. Three aspherical elements are also featured, and minimize distortion and spherical aberrations for improved sharpness. Additionally, a Super Spectra coating has been applied to individual elements to control flare and ghosting for high contrast and neutral color fidelity.
Balancing the refined optics, this 24-70mm f/2.8 also sports a ring-type USM and internal focusing mechanism to enable quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. Additionally, this lens is weather-sealed and has a protective fluorine coating on the exposed elements for use in trying environmental conditions.
Standard zoom is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides a 38.4-112mm equivalent focal length range.
Bright constant f/2.8 maximum aperture affords consistent illumination throughout the zoom range and also affords greater control over depth of field for working with selective focus techniques.
One Super Ultra-Low Dispersion element and two ultra-low dispersion glass elements noticeably reduce color fringing and chromatic aberrations for high clarity and color fidelity.
Three aspherical elements minimize spherical aberrations and distortions for improved sharpness and accurate rendering.
Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions.
A ring-type Ultrasonic Motor (USM), along with an internal focusing design, optimized focusing algorithms, and a high-speed CPU, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override.
Rounded nine-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.
Protective fluorine coating has been applied to the front and rear element to resist fingerprints and smudges and to make cleaning these elements significantly easier.
As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions.
Zoom lock lever secures the zoom position at the wide end to maintain a compact form factor and protect the lens when not in use.
Balancing the refined optics, this 24-70mm f/2.8 also sports a ring-type USM and internal focusing mechanism to enable quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. Additionally, this lens is weather-sealed and has a protective fluorine coating on the exposed elements for use in trying environmental conditions.
Standard zoom is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides a 38.4-112mm equivalent focal length range.
Bright constant f/2.8 maximum aperture affords consistent illumination throughout the zoom range and also affords greater control over depth of field for working with selective focus techniques.
One Super Ultra-Low Dispersion element and two ultra-low dispersion glass elements noticeably reduce color fringing and chromatic aberrations for high clarity and color fidelity.
Three aspherical elements minimize spherical aberrations and distortions for improved sharpness and accurate rendering.
Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions.
A ring-type Ultrasonic Motor (USM), along with an internal focusing design, optimized focusing algorithms, and a high-speed CPU, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override.
Rounded nine-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.
Protective fluorine coating has been applied to the front and rear element to resist fingerprints and smudges and to make cleaning these elements significantly easier.
As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions.
Zoom lock lever secures the zoom position at the wide end to maintain a compact form factor and protect the lens when not in use.
CanonEF 100 mm f/2.8L Macro $385
My #1 general portrait lens. Makes people look lighter.
#1 for newborn portraits and closeups. Macro shootings and product photography.
Out of all this lens used the most, but in a great shape. Box and everything.Primarily designed for close-up shooting, the EF 100mm f/2.8L Macro IS USM from Canon is a versatile L-series short telephoto prime that is also well-suited for portraiture and other mid-range subjects. As a macro lens, however, this 100mm offers a life-size, 1:1 maximum magnification and an 11.8" minimum focusing distance. Complementing close-up shooting, an Image Stabilizer is featured that minimizes camera shake by two stops at full 1:1 magnification, or up to four stops at lower magnifications for sharper handheld shooting. Also contributing to smooth and intuitive handling, a ring-type USM and internal focusing design offers quick, quiet, and accurate autofocus performance along with full-time manual focus override. In regard to its optical assets, one ultra-low dispersion element is featured, to control color fringing and chromatic aberrations, and a Super Spectra coating has been applied to suppress flare and ghosting for improved contrast and color fidelity. Additionally, as an L-series lens, this 100mm f/2.8 is weather-sealed for working in inclement conditions.
Short telephoto prime is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides a 160mm equivalent focal length.
Ideal for macro shooting, this lens offers a life-size 1:1 maximum magnification along with a minimum focusing distance of 11.8" to suit working with close-up subjects.
One ultra-low dispersion (UD) element greatly reduces chromatic aberrations and color fringing for improved clarity and color accuracy.
Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions.
An Optical Image Stabilizer helps to minimize the appearance of camera shake to better enable working in low-light conditions and with slower shutter speeds. The effectiveness of this system compensates for up to two stops of camera shake at 1:1 magnification, three stops at 1:2 magnification, and four stops at lower magnifications.
A ring-type Ultrasonic Motor (USM), and internal focusing design, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override.
Focus Limiter switch lets you constrain the focusing to three different ranges for faster focusing performance: 11.8"-1.6', 1.6'-infinity, and the full 11.8"-infinity range.
Rounded nine-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.
As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions.
Optional rotating tripod collar is available and benefits working with the lens atop a tripod or monopod.
Short telephoto prime is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides a 160mm equivalent focal length.
Ideal for macro shooting, this lens offers a life-size 1:1 maximum magnification along with a minimum focusing distance of 11.8" to suit working with close-up subjects.
One ultra-low dispersion (UD) element greatly reduces chromatic aberrations and color fringing for improved clarity and color accuracy.
Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions.
An Optical Image Stabilizer helps to minimize the appearance of camera shake to better enable working in low-light conditions and with slower shutter speeds. The effectiveness of this system compensates for up to two stops of camera shake at 1:1 magnification, three stops at 1:2 magnification, and four stops at lower magnifications.
A ring-type Ultrasonic Motor (USM), and internal focusing design, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override.
Focus Limiter switch lets you constrain the focusing to three different ranges for faster focusing performance: 11.8"-1.6', 1.6'-infinity, and the full 11.8"-infinity range.
Rounded nine-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.
As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions.
Optional rotating tripod collar is available and benefits working with the lens atop a tripod or monopod.
Canon EF 85 mm f/1.2L II USM $1200 (new $2700)
Really unique lens for art and portraiture that I rarely use. It's in a great shape, the queen of all my lenses.
In a box with everything. Selling it with a heavy heart, but already ordered Zuiko analog.
For dreamy, soft, romantic, fantasy portraits. Pairing a cherished short-telephoto focal length with an exceptionally bright maximum aperture, the Canon RF 85mm f/1.2L USM is also characterized by its advanced optical design to produce well-corrected imagery. The fast f/1.2 design excels in difficult lighting conditions and also benefits working with shallow depth of field and selective focus techniques. The optical layout incorporates a Blue Spectrum Refractive Optics element; a specially developed element that helps to nearly eliminate chromatic aberrations and color fringing for notable clarity and color accuracy. In addition to this, an ultra-low dispersion element and one aspherical element are also featured to further control various aberrations and distortion for great sharpness and resolution. Individual elements also feature an Air Sphere Coating to suppress flare and ghosting for high contrast and color fidelity when working in bright and backlit conditions.
Complementing the imaging capabilities is an apt ring-type Ultrasonic Motor, which delivers fast, near-silent autofocus and full-time manual focus override. A unique Control Ring is also integrated into the lens design for intuitive control over exposure settings from the lens itself.
Portrait-length prime is designed for full-frame Canon RF-mount mirrorless digital cameras.
Exceptionally bright f/1.2 maximum aperture affords extensive control over depth of field for selective focus applications and also benefits working in low-light situations.
Blue Spectrum Refractive Optics element virtually eliminates color fringing and chromatic aberrations by refracting shorter wavelengths of the visible spectrum (blue light).
One aspherical element and one UD element also help to control aberrations and distortions for sharper, clearer image quality.
An Air Sphere Coating (ASC) has been applied to lens elements to reduce backlit flaring and ghosting for maintained light transmission and high contrast in strong lighting conditions.
Ring-type Ultrasonic Motor (USM), along with optimized focusing algorithms, a high-speed CPU, and an internal focusing design, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override.
Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.
As a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions.
Rounded 9-blade diaphragm contributes to a pleasing bokeh quality.
Complementing the imaging capabilities is an apt ring-type Ultrasonic Motor, which delivers fast, near-silent autofocus and full-time manual focus override. A unique Control Ring is also integrated into the lens design for intuitive control over exposure settings from the lens itself.
Portrait-length prime is designed for full-frame Canon RF-mount mirrorless digital cameras.
Exceptionally bright f/1.2 maximum aperture affords extensive control over depth of field for selective focus applications and also benefits working in low-light situations.
Blue Spectrum Refractive Optics element virtually eliminates color fringing and chromatic aberrations by refracting shorter wavelengths of the visible spectrum (blue light).
One aspherical element and one UD element also help to control aberrations and distortions for sharper, clearer image quality.
An Air Sphere Coating (ASC) has been applied to lens elements to reduce backlit flaring and ghosting for maintained light transmission and high contrast in strong lighting conditions.
Ring-type Ultrasonic Motor (USM), along with optimized focusing algorithms, a high-speed CPU, and an internal focusing design, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override.
Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.
As a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions.
Rounded 9-blade diaphragm contributes to a pleasing bokeh quality.
Canon EF 8-15mm F/4L Fisheye USM lens $875 (new $1250)
Another special, not your everyday lens. For art projects, effects, round shots.
With this lens I have created my most successful art images of "Prague" series
Condition is "like new". Barely used. Box and all.
Specialized and versatile, the EF 8-15mm f/4L Fisheye USM is a Canon L-series lens offering flexibility to a conventionally niche lens type. Capable of producing both circular and rectangular fisheye effects, this lens is characterized by its notable distortion and rounded image quality along with an immense 180° angle of view at the 8mm position. The optical design incorporates two ultra-low dispersion glass elements to limit chromatic aberrations and color fringing for high clarity and color accuracy, and a Sub Wavelength coating has also been applied to control flare and ghosting for greater contrast.
Balancing the refined optics, this 8-15mm f/4 also sports a ring-type USM mechanism to enable quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. Additionally, this lens is weather-sealed and has a protective fluorine coating on the exposed elements for use in trying environmental conditions.
Unique fisheye zoom is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides a 12.8-24mm equivalent focal length range.
Constant f/4 maximum aperture maintains consistent illumination throughout the zoom range.
Zoom allows you to change from a circular 180° fisheye look to a rectangular image. Both ends produce dramatic, creatively distorted imagery.
Two ultra-low dispersion glass elements noticeably reduce color fringing and chromatic aberrations for high clarity and color fidelity.
A Sub Wavelength Coating has been applied to individual elements to control lens flare and ghosting for greater contrast and color fidelity when working in strong lighting conditions.
A ring-type Ultrasonic Motor (USM), along with optimized focusing algorithms and a high-speed CPU, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override.
As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions.
Protective fluorine coating has been applied to the front bulbous element to resist fingerprints and smudges and to make cleaning significantly easier.
Built-in filter holder is located at the rear of the lens and accepts cut gel filters.
Balancing the refined optics, this 8-15mm f/4 also sports a ring-type USM mechanism to enable quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. Additionally, this lens is weather-sealed and has a protective fluorine coating on the exposed elements for use in trying environmental conditions.
Unique fisheye zoom is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides a 12.8-24mm equivalent focal length range.
Constant f/4 maximum aperture maintains consistent illumination throughout the zoom range.
Zoom allows you to change from a circular 180° fisheye look to a rectangular image. Both ends produce dramatic, creatively distorted imagery.
Two ultra-low dispersion glass elements noticeably reduce color fringing and chromatic aberrations for high clarity and color fidelity.
A Sub Wavelength Coating has been applied to individual elements to control lens flare and ghosting for greater contrast and color fidelity when working in strong lighting conditions.
A ring-type Ultrasonic Motor (USM), along with optimized focusing algorithms and a high-speed CPU, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override.
As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions.
Protective fluorine coating has been applied to the front bulbous element to resist fingerprints and smudges and to make cleaning significantly easier.
Built-in filter holder is located at the rear of the lens and accepts cut gel filters.
Canon EF 50 mm f/1.2 USM $1075 (new $1270)
My newest addition, an unexpected present from my ex-husband for Alice's bat mitzvah.
In a perfect condition, must-have lens. If you can offer only one prime lens, this is it. Barely used.
Street photo, on-location portraits, pretty much everything. Fast and light. In a box. Like new.
Clearly distinguished by its bright maximum aperture, the Canon EF 50mm f/1.2L USM is a normal-length L-series prime also sporting a robust physical design and advanced optical layout. The impressively fast f/1.2 maximum aperture affords a great degree of control over depth of field for isolating subjects and producing desirable selective focus effects. Complementing these qualities is a sophisticated optical composition, which includes one aspherical element to suppress spherical aberrations in order to achieve notable sharpness and clarity. A Super Spectra coating has also been applied to limit flare and ghosting and promote greater contrast and color accuracy in a variety of lighting conditions. Complementing the imaging attributes, a ring-type USM is employed to deliver quick and quiet autofocus performance along with full-time manual focus control.
Normal-length prime is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides an 80mm equivalent focal length.
Exceptionally bright f/1.2 maximum aperture affords extensive control over depth of field for selective focus applications and also benefits working in low-light situations.
One aspherical element helps to suppress spherical aberrations and distortion for a high degree of sharpness and accurate rendering.
Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions.
A ring-type Ultrasonic Motor (USM), along with optimized focusing algorithms and a high-speed CPU, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override.
Rounded eight-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.
As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions.
Normal-length prime is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides an 80mm equivalent focal length.
Exceptionally bright f/1.2 maximum aperture affords extensive control over depth of field for selective focus applications and also benefits working in low-light situations.
One aspherical element helps to suppress spherical aberrations and distortion for a high degree of sharpness and accurate rendering.
Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions.
A ring-type Ultrasonic Motor (USM), along with optimized focusing algorithms and a high-speed CPU, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override.
Rounded eight-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.
As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions.
Canon EF 70-200mm f/2.8L IS II USM telephoto lens $1250 (new $1800)
Telephoto lens perfect for sport, weddings and outdoor family photography.
In perfect condition - being a studio photographer I barely use it.
Like new in a gigantesque box with carry on bag and everything. 
One of the most versatile lenses available, the EF 70-200mm f/2.8L IS III USM from Canon is an L-series telephoto zoom distinguished by its bright design and advanced optics. Ideal for a variety of subjects ranging from portraiture to sports, the fast constant f/2.8 maximum aperture excels in difficult lighting conditions and also offers increased control over depth of field for isolating subjects. The optical layout makes use of one fluorite element and five UD elements to suppress chromatic aberrations and color fringing in order to realize a high degree of clarity throughout the zoom range. An Air Sphere Coating is also featured, and works to reduce flare and ghosting for greater color fidelity and contrast in all conditions.
Complementing the speed and optics is an Optical Image Stabilizer, which compensates for 3.5 stops of camera shake to better enable working handheld and in low-light situations. A ring-type USM and internal focusing mechanism also afford quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. Additionally, this lens is weather-sealed for use in trying environmental conditions.
Versatile telephoto zoom is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides a 112-320mm equivalent focal length range.
Bright constant f/2.8 maximum aperture affords consistent performance throughout the zoom range and offers notable control over depth of field for working with selective focus techniques.
One fluorite element and five ultra-low dispersion glass elements noticeably reduce color fringing and chromatic aberrations for high clarity and color fidelity.
An Air Sphere Coating (ASC) has been applied to lens elements to reduce backlit flaring and ghosting for maintained light transmission and high contrast in strong lighting conditions.
An Optical Image Stabilizer helps to minimize the appearance of camera shake by up to 3.5 shutter speed stops to better enable working in low-light conditions and with slower shutter speeds. In addition to the single-shot standard IS mode, a second mode is also available that it optimized for panning.
A ring-type Ultrasonic Motor (USM), along with an internal focusing system, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override.
Focus Limiter switch lets you constrain the focusing to two different ranges to suit different applications: 3.9'-infinity or 8.2'-infinity.
Rounded eight-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.
A weather-resistant design protects the lens from dust and moisture to enable its use in inclement conditions. Additionally, fluorine coatings have also been applied to the front and rear lens elements for further protection against fingerprints and smudging.
Removable rotating tripod collar is included and benefits working with the lens atop a tripod or monopod.
Compatible with optional EF 1.4X and EF 2X teleconverters.
Complementing the speed and optics is an Optical Image Stabilizer, which compensates for 3.5 stops of camera shake to better enable working handheld and in low-light situations. A ring-type USM and internal focusing mechanism also afford quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. Additionally, this lens is weather-sealed for use in trying environmental conditions.
Versatile telephoto zoom is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides a 112-320mm equivalent focal length range.
Bright constant f/2.8 maximum aperture affords consistent performance throughout the zoom range and offers notable control over depth of field for working with selective focus techniques.
One fluorite element and five ultra-low dispersion glass elements noticeably reduce color fringing and chromatic aberrations for high clarity and color fidelity.
An Air Sphere Coating (ASC) has been applied to lens elements to reduce backlit flaring and ghosting for maintained light transmission and high contrast in strong lighting conditions.
An Optical Image Stabilizer helps to minimize the appearance of camera shake by up to 3.5 shutter speed stops to better enable working in low-light conditions and with slower shutter speeds. In addition to the single-shot standard IS mode, a second mode is also available that it optimized for panning.
A ring-type Ultrasonic Motor (USM), along with an internal focusing system, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override.
Focus Limiter switch lets you constrain the focusing to two different ranges to suit different applications: 3.9'-infinity or 8.2'-infinity.
Rounded eight-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.
A weather-resistant design protects the lens from dust and moisture to enable its use in inclement conditions. Additionally, fluorine coatings have also been applied to the front and rear lens elements for further protection against fingerprints and smudging.
Removable rotating tripod collar is included and benefits working with the lens atop a tripod or monopod.
Compatible with optional EF 1.4X and EF 2X teleconverters.
Canon EOS 5D Mark VI, battery grip, tripod plate, two chargers and batteries $1899 (new body only $2600)
My best mechanical friend for the past three years. Works perfectly. 
Never dropped. With a box and all.
Battery grip is included as well as two batteries, both chargers and tripod plate.Continuing on in their legacy of powerful workhorse cameras, Canon has released the 5D Mark IV DSLR which is an outstanding still photography option and an able 4K-capable video machine. Appealing to filmmakers is Canon Log, which is offered pre-installed on this model. This gamma setting helps users capture images with an expanded dynamic range of 800%, or 12 stops. Also, it provides latitude for working with the footage in post-production during color grading. Along with this function is a View Assist setting, which helps users see a more accurate representation of the footage when viewing on the rear LCD or an external display.
This multimedia maven offers a newly developed 30.4MP full-frame CMOS sensor paired with the DIGIC 6+ image processor in order to balance fine detail and resolution with low-light performance and sensitivity. It is able to work within a native range of ISO 100-32000, which can then be expanded to an impressive ISO 50-102400, for sharp, low-noise images in a variety of conditions. Along with these improvements to image quality, users will enjoy a performance boost across the board with an enhanced AF system, built-in Wi-Fi, NFC, and GPS, and much more.
In order to deliver detailed images quickly and effectively the 5D Mark IV leverages the power of the DIGIC 6+ image processor, which can handle up to 7 frames per second during continuous shooting. It also uses a 150,000-pixel RGB+IR metering sensor to evaluate the scene and subjects for accurate exposures under a variety of different lighting conditions. An improved 61-point High Density Reticular AF furthers the camera's speed by tracking and locking onto subjects quickly and accurately for tack sharp photos. A new AF area select button is now available as well for near immediate access to this setting.
Video benefits from the addition of Dual Pixel CMOS AF and Movie Servo AF to smoothly rack focus during a shot. Shooters can even make use of the 3.2" 1.62m-dot touchscreen LCD to simply tap to adjust the focus point. Furthermore, now that the camera has DCI 4K (4096 x 2160) video recording at up to 30 fps, users can snag 8.8MP stills from the video for an even faster capture option. Tied into the Dual Pixel sensor architecture is a brand-new feature for Canon: Dual Pixel RAW, which allows for fine tuning of certain image parameters, including bokeh shift and focus micro adjustment, after the image is taken.
The body has been further refined for comfort and ease of access, as well as durability and weather resistance. The Canon N3 remote port has been relocated to the front of the camera body and they have added both GPS and Wi-Fi with NFC to make this model a connected camera.
30.4MP Full-Frame CMOS Sensor and DIGIC 6+ Image Processor
In line with previous members of the main 5D series, the Mark IV attempts to balance high resolution with low-light performance with a newly developed 30.4MP full-frame CMOS sensor. This provides a beneficial increase in overall resolution without compromising on sensitivity. Additionally, thanks to the DIGIC 6+ image processor it is paired with, it offers impressive performance within a native range of ISO 100-32000, which can be expanded to ISO 50-102400.
Versatility is key with the 5D, as it needs to be able to tackle landscapes and weddings with equal ease. By using a 150,000-pixel RGB+IR metering sensor shooters will be able to more comfortably rely on the camera to capture difficult scenes. This sensor also has face detection as well as flicker detection which can ensure proper exposure in less-than-ideal lighting situations. Along with this, the camera offers an improved continuous shooting rate of 7 fps, making it a great option for events and action.
High Density Reticular AF and Dual Pixel CMOS AF Systems
Ensuring your subject is tack sharp, the 5D Mark IV incorporates an enhanced High Density Reticular AF system, which offers 61 phase-detect points, with all points sensitive to f/8 and 41 of which are cross-type. The center point can function down to -3 EV for working in extremely dim lighting. Compared to previous versions, this sensor has expanded vertical coverage of 24% on the peripherals and 8% in the center in order to better track and locate subjects in the frame.
In addition to advanced tracking and focusing while using the optical finder for stills, Live View and video can now use Dual Pixel CMOS AF on the actual imaging sensor. This offers about 80% coverage of phase-detection autofocus for faster and more accurate focusing in these modes. It is ideal for video as users will enjoy smoother rack focusing without the downsides normally encountered with contrast-based systems. Also, this works well with the touchscreen functions, allowing shooters to just tap to adjust focus.
DCI 4K Video Recording and Canon Log Gamma
Designed for both professional stills shooting and video recording, the 5D Mark IV supports DCI 4K (4096 x 2160) resolution recording at up to 30 fps at 500 Mbps, along with Full HD 1080p shooting at 60 fps and HD 720p at 120 fps for slow motion playback. When recording in-camera, 4K video has 4:2:2 sampling and 8-bit color depth, while Full HD 1080p footage has 4:2:0 sampling. Uncompressed Full HD 1080p video can also be saved via HDMI to an optional external recorder with 4:2:2 color sampling. 4K video is recorded using a central 4096 x 2160 area of the sensor at a 1.74x crop in order to record video with an ideal 1:1-pixel sampling ratio, while Full HD recording makes use of the entire full frame.
This version of the 5D offers Canon Log pre-installed, allowing users to capture flat images with an improved dynamic range of 800%, or 12 stops. This function makes it easier to match cameras in post-production as well as provides the most latitude and potential for color grading. For monitoring, a View Assist function is available, which emulates a graded look for more accurate viewing on the camera's LCD. Canon does provide LUTs to make post-production easier with options for Canon Log 10 to Wide DR that converts the footage to Wide Dynamic Range Gamma or Canon Log 10 to ITU-R BT.709, which converts the image to a more conventional Rec. 709 color space.
Audio can be recorded using the on-board stereo microphone or an optional external mic can also be used via the 3.5mm mic jack. Real time audio monitoring is possible, too, via the 3.5mm headphone jack. The 4K video recording also avails the ability to take 8.8MP still frame grabs during playback on the rear touchscreen and save them as single images.
Dual Pixel RAW
First implemented here on the 5D Mark IV, Dual Pixel RAW allows photographers to record all the information the sensor's unique pixel architecture can deliver, providing a way for fine adjustments to be made after the image is taken. These adjustments include focus fine tuning that can help you ever-so-slightly adjust the focus point to bring out extra details, shift bokeh around for improved composition, and reduce the impact of ghosting on your photos. This requires the use of Canon's Digital Photo Professional 4.5 software.
Body Design
A large 3.2" 1.62m-dot Clear View II LCD monitor is available and features an anti-reflective design for bright, vivid image playback and live view shooting, and its touchscreen interface can be used for intuitive touch-to-focus control and adjusting settings in the menus.
A dedicated AF mode selection button located beneath the rear joystick offers another avenue for accessing settings, allowing for fast, intuitive access to commonly changed options.
Dual CompactFlash and SD memory card slots allow you to extend your file saving capabilities by permitting overflow recording or in-camera file type separation while shooting.
An Intelligent Viewfinder II uses a pentaprism design and offers a bright means for viewing. When using the viewfinder, AF points are highlighted in red for greater visibility in low-light conditions, and the finder can also be configured to display a range of other shooting aids, such as an electronic level, grid, flicker detection, white balance, metering mode, AF information, and other settings.
A Mirror Vibration Control System helps to minimize mechanical vibrations in order to better ensure sharpness during long exposures or fast continuous shooting bursts.
A robust magnesium alloy body design is both dust- and weather-sealed to permit working in harsh environments.
Other Camera Features
A built-in GPS module allows you to geotag imagery in-camera as well as auto time sync with the Universal Time Code via satellites. This module is compatible with American GPS, Russian GLONASS, and Japanese quasi-zenith Michibiki satellites for a wide coverage of support.
Digital Lens Optimizer technology compensates for a range of optical defects from various lenses, including chromatic aberration, distortion, peripheral brightness, and diffraction, and the camera can store lens data in order to avoid having to re-register lenses prior to each use. The camera can handle this process in real time, delivering JPEGs with the corrections already applied.
A built-in intervalometer permits the creation of time-lapse imagery and supports recording 1-99 consecutive frames in pre-selected intervals from 1 second to 99 hours 59 minutes and 59 seconds. Users can also choose to set the camera to unlimited frames.
Built-in Wi-Fi and NFC connectivity enable wireless sharing, control, and image transfer with a compatible smart device as well as the CS100 Connect Station.
This multimedia maven offers a newly developed 30.4MP full-frame CMOS sensor paired with the DIGIC 6+ image processor in order to balance fine detail and resolution with low-light performance and sensitivity. It is able to work within a native range of ISO 100-32000, which can then be expanded to an impressive ISO 50-102400, for sharp, low-noise images in a variety of conditions. Along with these improvements to image quality, users will enjoy a performance boost across the board with an enhanced AF system, built-in Wi-Fi, NFC, and GPS, and much more.
In order to deliver detailed images quickly and effectively the 5D Mark IV leverages the power of the DIGIC 6+ image processor, which can handle up to 7 frames per second during continuous shooting. It also uses a 150,000-pixel RGB+IR metering sensor to evaluate the scene and subjects for accurate exposures under a variety of different lighting conditions. An improved 61-point High Density Reticular AF furthers the camera's speed by tracking and locking onto subjects quickly and accurately for tack sharp photos. A new AF area select button is now available as well for near immediate access to this setting.
Video benefits from the addition of Dual Pixel CMOS AF and Movie Servo AF to smoothly rack focus during a shot. Shooters can even make use of the 3.2" 1.62m-dot touchscreen LCD to simply tap to adjust the focus point. Furthermore, now that the camera has DCI 4K (4096 x 2160) video recording at up to 30 fps, users can snag 8.8MP stills from the video for an even faster capture option. Tied into the Dual Pixel sensor architecture is a brand-new feature for Canon: Dual Pixel RAW, which allows for fine tuning of certain image parameters, including bokeh shift and focus micro adjustment, after the image is taken.
The body has been further refined for comfort and ease of access, as well as durability and weather resistance. The Canon N3 remote port has been relocated to the front of the camera body and they have added both GPS and Wi-Fi with NFC to make this model a connected camera.
30.4MP Full-Frame CMOS Sensor and DIGIC 6+ Image Processor
In line with previous members of the main 5D series, the Mark IV attempts to balance high resolution with low-light performance with a newly developed 30.4MP full-frame CMOS sensor. This provides a beneficial increase in overall resolution without compromising on sensitivity. Additionally, thanks to the DIGIC 6+ image processor it is paired with, it offers impressive performance within a native range of ISO 100-32000, which can be expanded to ISO 50-102400.
Versatility is key with the 5D, as it needs to be able to tackle landscapes and weddings with equal ease. By using a 150,000-pixel RGB+IR metering sensor shooters will be able to more comfortably rely on the camera to capture difficult scenes. This sensor also has face detection as well as flicker detection which can ensure proper exposure in less-than-ideal lighting situations. Along with this, the camera offers an improved continuous shooting rate of 7 fps, making it a great option for events and action.
High Density Reticular AF and Dual Pixel CMOS AF Systems
Ensuring your subject is tack sharp, the 5D Mark IV incorporates an enhanced High Density Reticular AF system, which offers 61 phase-detect points, with all points sensitive to f/8 and 41 of which are cross-type. The center point can function down to -3 EV for working in extremely dim lighting. Compared to previous versions, this sensor has expanded vertical coverage of 24% on the peripherals and 8% in the center in order to better track and locate subjects in the frame.
In addition to advanced tracking and focusing while using the optical finder for stills, Live View and video can now use Dual Pixel CMOS AF on the actual imaging sensor. This offers about 80% coverage of phase-detection autofocus for faster and more accurate focusing in these modes. It is ideal for video as users will enjoy smoother rack focusing without the downsides normally encountered with contrast-based systems. Also, this works well with the touchscreen functions, allowing shooters to just tap to adjust focus.
DCI 4K Video Recording and Canon Log Gamma
Designed for both professional stills shooting and video recording, the 5D Mark IV supports DCI 4K (4096 x 2160) resolution recording at up to 30 fps at 500 Mbps, along with Full HD 1080p shooting at 60 fps and HD 720p at 120 fps for slow motion playback. When recording in-camera, 4K video has 4:2:2 sampling and 8-bit color depth, while Full HD 1080p footage has 4:2:0 sampling. Uncompressed Full HD 1080p video can also be saved via HDMI to an optional external recorder with 4:2:2 color sampling. 4K video is recorded using a central 4096 x 2160 area of the sensor at a 1.74x crop in order to record video with an ideal 1:1-pixel sampling ratio, while Full HD recording makes use of the entire full frame.
This version of the 5D offers Canon Log pre-installed, allowing users to capture flat images with an improved dynamic range of 800%, or 12 stops. This function makes it easier to match cameras in post-production as well as provides the most latitude and potential for color grading. For monitoring, a View Assist function is available, which emulates a graded look for more accurate viewing on the camera's LCD. Canon does provide LUTs to make post-production easier with options for Canon Log 10 to Wide DR that converts the footage to Wide Dynamic Range Gamma or Canon Log 10 to ITU-R BT.709, which converts the image to a more conventional Rec. 709 color space.
Audio can be recorded using the on-board stereo microphone or an optional external mic can also be used via the 3.5mm mic jack. Real time audio monitoring is possible, too, via the 3.5mm headphone jack. The 4K video recording also avails the ability to take 8.8MP still frame grabs during playback on the rear touchscreen and save them as single images.
Dual Pixel RAW
First implemented here on the 5D Mark IV, Dual Pixel RAW allows photographers to record all the information the sensor's unique pixel architecture can deliver, providing a way for fine adjustments to be made after the image is taken. These adjustments include focus fine tuning that can help you ever-so-slightly adjust the focus point to bring out extra details, shift bokeh around for improved composition, and reduce the impact of ghosting on your photos. This requires the use of Canon's Digital Photo Professional 4.5 software.
Body Design
A large 3.2" 1.62m-dot Clear View II LCD monitor is available and features an anti-reflective design for bright, vivid image playback and live view shooting, and its touchscreen interface can be used for intuitive touch-to-focus control and adjusting settings in the menus.
A dedicated AF mode selection button located beneath the rear joystick offers another avenue for accessing settings, allowing for fast, intuitive access to commonly changed options.
Dual CompactFlash and SD memory card slots allow you to extend your file saving capabilities by permitting overflow recording or in-camera file type separation while shooting.
An Intelligent Viewfinder II uses a pentaprism design and offers a bright means for viewing. When using the viewfinder, AF points are highlighted in red for greater visibility in low-light conditions, and the finder can also be configured to display a range of other shooting aids, such as an electronic level, grid, flicker detection, white balance, metering mode, AF information, and other settings.
A Mirror Vibration Control System helps to minimize mechanical vibrations in order to better ensure sharpness during long exposures or fast continuous shooting bursts.
A robust magnesium alloy body design is both dust- and weather-sealed to permit working in harsh environments.
Other Camera Features
A built-in GPS module allows you to geotag imagery in-camera as well as auto time sync with the Universal Time Code via satellites. This module is compatible with American GPS, Russian GLONASS, and Japanese quasi-zenith Michibiki satellites for a wide coverage of support.
Digital Lens Optimizer technology compensates for a range of optical defects from various lenses, including chromatic aberration, distortion, peripheral brightness, and diffraction, and the camera can store lens data in order to avoid having to re-register lenses prior to each use. The camera can handle this process in real time, delivering JPEGs with the corrections already applied.
A built-in intervalometer permits the creation of time-lapse imagery and supports recording 1-99 consecutive frames in pre-selected intervals from 1 second to 99 hours 59 minutes and 59 seconds. Users can also choose to set the camera to unlimited frames.
Built-in Wi-Fi and NFC connectivity enable wireless sharing, control, and image transfer with a compatible smart device as well as the CS100 Connect Station.
Manfrotto PIXI EVO Mini Tripod (Black) $15
Aukey Professional HD wide-angle lens for smartphones, new $18
0.45X Wide Angle Lens Macro, new $18
SUBSCRIBE FOR THIS BLOG